Jokha Alharthi


Jokha Alharthi is an Omani writer and academic, and an associate professor in the College of Arts at Sultan Qaboos University in Oman. She won the “Man Booker International Prize” for her novel Celestial Bodies (Sayyidāt al-qamar) in 2019, becoming the first Arab writer to win the prize in its history. The French translation of the novel also won the “Arab Literature Prize” in Paris in 2021, and in 2024 she was awarded the “Sultan’s order of merit” and was honored by the Gulf Cooperation Council. She also won the “Sultan Qaboos Prize for Culture, Arts, and Literature” in 2016 for her novel Bitter Orange Tree (Naranja) which was also nominated for several other literary awards, including the “James Tait Black Memorial Prize” in the United Kingdom and the “Dublin Literary Award” in Ireland. In 2010, she won the “Best Omani Novel Award” and the “Best Omani Children’s Literature Award.”
Celestial Bodies has been translated into 26 languages. The novels Bitter Orange Tree and Silken Gazelles have been translated into a number of languages. She has published 11 books and 3 children’s books; among her most recent publications are:
The Body in Arabic Love Poetry: The ʿUdhri Tradition. Edinburgh: Edinburgh University Press, 2021. The translation was published into Arabic, Sharjah: Dār Riwāyāt, 2024;
Silken Gazelles, Beirut: Dār al-Ādāb, 2021; its English translation was published in 2024.
Wadāʿi Layliyya came out in Kuwait: Takwīn Publications, 2025.
In addition, she has published dozens of academic research papers and articles in specialized Arab and international journals. She has participated in academic conferences and literary festivals in numerous cities around the world. She has been selected as a member of several juries and served on the board of directors of the Cultural Club and the Literary Forum in Muscat, Oman.

Jokha is a member of kalimat‘s advisory board and contributes to the handbook as an author.

Articles

al-ghazal al-ʿudhrī
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PublishedOct 1, 2026
Abstract

The Banū ʿUdhra have long been associated with an intense, idealized, and often tragic form of love that came to be known in the Arabic literary tradition as ʿudhrī love. Drawing primarily on narratives and poetic accounts preserved in Abū al-Faraj al-Iṣfahānī’s Kitāb al-Aghānī (The Book of Songs), this article examines the origins, development, and literary construction of the ʿudhrī tradition. It investigates the cultural and literary conditions that shaped theʿudhrī ghazal, while also addressing questions concerning the historical authenticity of its narratives and the role of ruwāt (transmitters) in shaping, transmitting, and elaborating the stories of ʿudhrī lovers. Particular attention is given to the narrative structure of the ʿudhrī love story and to the distinctive conventions and characteristics through which it is constituted. The article concludes by tracing the enduring influence and transhistorical circulation of the ʿudhrī tradition in world literature, highlighting its contribution to the representation of idealized, unattainable, and tragic love across different literary and cultural contexts.

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Articles in Arabic

الغزل العذري
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PublishedOct 1, 2026
Abstract

لطالما ارتبط اسم بني عذرة بنوع من الحب شديد، ومثالي، وفي كثير من الأحيان مأساوي، وهو ما بات يُعرف في التراث الأدبي العربي باسم «الحب العذري». يتتبّع هذا المقال أصول الموروث العذري وتطوّره وبناءه الأدبي، مستندًا أساسًا المرويات والأخبار المحفوظة في كتاب «الأغاني» لأبي الفرج الأصفهاني. كما يستقصي المقال الظروف الثقافية والأدبية التي شكّلت الغزل العذري، متطرقاً في الوقت نفسه إلى الأسئلة المتعلقة بالموثوقية التاريخية لرواياته، ودور الرواة في تشكيل قصص العشاق العذريين ونقلها وتفصيلها. ويولي المقال اهتماماً خاصاً بالبنية السردية لقصص الحب العذري، والأعراف والخصائص المميزة التي تتشكل من خلالها. ويختم المقال بجرد الأثر القائم والانتشار العابر للتاريخ للموروث العذري في الأدب العالمي، مسلطاً الضوء على إسهامه في تصوير الحب المثالي، والممتنع، والمأساوي عبر مختلف السياقات الأدبية والثقافية.

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